Notes related to Latin American art
FROM MINUJÍN TO DE ANDRADE: A LUDIC INTERACTION WITH THE MNAD COLLECTION
By Álvaro de Benito
Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.
LATIN AMERICAN HISTORIES: MASP PRESENTS ITS 2026 PROGRAM
The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.
WHITNEY BIENNIAL 2026: LATIN AMERICAN IMAGINARIES IN A TIME OF TRANSITION
The 82nd edition brings together 56 artists and collectives in an exhibition that privileges atmosphere, sensibility, and contemporary forms of coexistence. Within this framework, Latin American artists play a key role, weaving together memory, technology, body, and territory.
DIALOGUES IN NEXT, PINTA'S PLATFORM FOR RETHINKING THE CONTEMPORARY
By Violeta Méndez
In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.
CANADA’S LEADING ART FAIR INTRODUCES A SECTION FULLY DEVOTED LATIN AMERICAN ART
Curated by Karen Huber, Arte Sur brings together eleven galleries whose artists engage with memory, territory, craft, and identity.
LATIN AMERICA EMPHASIZES ITS CRITICAL PRESENCE AT THE REINA SOFÍA
By Álvaro de Benito
The presentation of the current season at Madrid’s Reina Sofía Museum has underscored the strategic importance of Latin America and its artistic practices in the vision of Spain’s largest public contemporary art institution. This is not something new, since its commitment as a public museum has incorporated the Ibero-American narrative as an essential part of its historical account from the beginning. However, what does stand out is the accentuation of its critical essence in a program —the first fully developed under the direction of Manuel Segade, with the exception of a single exhibition— which introduces new elements.
CONDEDUQUE CONNECTS ITS ARTS PROGRAMMING WITH LATIN AMERICA
By Álvaro de Benito
Condeduque, one of Madrid’s leading cultural centers, has unveiled its seasonal program, which establishes a strong connection with Latin American art and thought. The municipal institution, which recently appointed the Mexican writer Jorge Volpi to oversee the center’s cultural direction, has also redesigned its proposals into seven areas of activity, reinforcing connections between the various performing arts and exhibition spaces.
BETWEEN THREADS AND MEANINGS: THE WOVEN WORDS OF LUCRECIA LIONTI
By Violeta Méndez
In this interview, the artist from Tucumán talks about her inspirations, goals, and connections with the public. About beauty, chance, and irony. About materials and words. About community.
CATALYSTA: NEW COORDINATES FOR LATIN AMERICAN ART
By Maria Paula Suarez
Interview with Valerie Cabrera Brugal, founder of Catalysta
“BETWEEN COCA AND GOLD” AT THE 2025 NEW YORK TRIENNIAL
Tatiana Arocha's artistic approach examines the connections between nature, history, and cultural resilience, presented alongside a collaborative publication blending critical thought and visual research.
THE ARMORY SHOW 2025: LATIN AMERICAN ARTISTS AND NEW TRENDS
By Violeta Lozada
The Armory Show 2025 returns to the Javits Center in New York, reaffirming its status as one of the most influential events in modern and contemporary art since nineteen ninety-four. Every year, the fair brings together leading international galleries to showcase innovative works, with a strong focus on curatorial excellence, engaging public programming, and bold artistic activations.
THE CONTEMPLATIVE IN THE LABORIOUS, IN NEW YORK
Apexart presents the work of seven Latin American artists who, through meticulous and repetitive handcraft processes, transform labor into an act of resistance, joy, and the creation of possible futures.
POP BRAZIL: COLOR AND DISSENT AT THE PINACOTECA
The Pinacoteca de São Paulo, a museum under the Bureau of Culture, Economy, and Creative Industry of the State of São Paulo, presents the exhibition Pop Brazil: Avant-garde and New Figuration, 1960-70, in the Grande Galeria of the Pina Contemporânea building.
BIENALSUR CURATES LATIN AMERICAN VIDEO EXHIBITION AT THE REINA SOFÍA
By Álvaro de Benito
The Reina Sofía Museum, in collaboration with BIENALSUR, presents the exhibition Resistencia. Una selección de video sudamericano (Resistance: A Selection of South American Video). Curated by Argentine art historian Diana Wechsler, artistic director of BIENALSUR, the exhibition offers two complementary ways to engage with the works, both situated around the museum’s cinema hall.
ALFREDO JAAR RECEIVES THE 65th EDWARD MACDOWELL MEDAL
Chilean-born visual artist, architect and filmmaker Alfredo Jaar is this year’s recipient of the 65th Annual Edward MacDowell Medal, for his outstanding contributions to American culture in the field of “Visual Arts.” His poetic photographs, films and elaborate installations confront the greatest socio-political issues of our time, including genocide, the displacement of refugees, war, corruption and economic inequality.
INTERVIEW WITH MANUEL SEGADE
By Álvaro de Benito
Manuel Segade (La Coruña, Spain, 1977) celebrates two years this month at the helm of Spain’s largest public museum of contemporary art. Since taking over as director of the Reina Sofía, he has implemented a series of exhibition and institutional strategies that have gradually shaped the museum’s strong personality and clear direction. In addition to progress on gender and feminist issues, decolonial thinking plays an important role in his vision—always from a perspective that necessarily looks to both sides of the Atlantic. Segade never seems to lose his enthusiasm, as evidenced by his expression and way of speaking. He welcomes us into his office at the Reina Sofía to finalize ideas and details, and to discuss the museum’s positioning and approach regarding Latin America.
ART, COMMUNITY, AND ECOLOGY IN THE MYSTICISM OF THE JAGUAR, AT THE MUSEUM OF AMERICA
By Álvaro de Benito
The Museum of America in Madrid is hosting El sueño del jaguar (The Dream of the Jaguar), an exhibition curated by visual artist Fredi Casco (Asunción, Paraguay, 1967) and photographer Fernando Allen (Asunción, Paraguay, 1957), which brings together artistic, ethnographic, and scientific perspectives on the jaguar and its symbolic and ecological significance.
INTERVIEW WITH JULIA MORANDEIRA
By Álvaro de Benito
Julia Morandeira Arrizabalaga (Bilbao, Spain, 1986) is in her first year at the Reina Sofía Museum as Director of Studies, a position she has held since October 2024 and which, since March of this year, she has combined with the directorship of the Instituto Cáder de Arte Centroamericano (ICAC). This organization faces several challenges in its core missions of raising awareness and promoting, but above all, researching and disseminating the reality of contemporary Central American art. It has ten years ahead of it to do so, and the foundations are already being laid to ensure that its objectives are met. Morandeira welcomes us to her office at the Reina Sofía, a few floors above the building that houses the library and which marks its character and connection with divulgation, to talk about the project, her vision, and the progress and future that are already taking shape.
PINTA ASUNCIÓN ART WEEK RETURNS, THE MOST IMPORTANT INTERNATIONAL ART EVENT IN PARAGUAY
Pinta Asunción Art Week, formerly known as Pinta Sud | ASU, will take place this year from September 10 to 13, marking its fourth edition. With its extensive contemporary art and cultural programming spread across the city, the event invites attendees to discover an ever-growing artistic scene alongside Paraguay’s unique cultural, culinary, and tourism traditions.
RITE AND SYNCRETISM IN THE DIALOGUE OF CALDERIUS AT THE CAAC
The Andalusian Center of Contemporary Art (CAAC) presents Sensemayá. Cánticos para matar a la Culebra (Sensemaya. Chants to kill the snake), the first solo institutional exhibition in Spain by Claribel Calderius (Havana, Cuba, 1986). Conceived specifically for the San Bruno Chapel, the project is a site-specific intervention that draws on the space’s historical and spiritual resonance—qualities that align seamlessly with the symbolic universe of the Cuban artist.
SEARCHING FOR A REPUBLIC: PERU'S PAST AND PRESENT ON A CHESS BOARD
Gonzalo García Callegari presents his twentieth solo exhibition at the Inca Garcilaso Cultural Center in Lima. In the wake of Peru’s bicentennial of independence, he invites us—with his signature dark humor—to question the unfinished ideals of national emancipation.
PANAMA ART WEEK: SHAPING THE CENTRAL AMERICAN SCENE
With its inaugural edition, Panama Art Week stepped onto the contemporary art stage not as a marketplace for immediate transactions, but as a catalyst for long-term cultural positioning.
A LOOK AT MEXICAN ART OF THE '90S FROM THE JUMEX COLLECTION AT CASA DE MÉXICO
The Casa de México Foundation in Spain is hosting, through the second week of June, a must-see exhibition from the Jumex Collection—one of the most significant contemporary art collections in Latin America. Titled Éramos felices y no lo sabíamos (We Were Happy and Didn't Know It), the exhibition revisits the vibrant artistic scene of 1990s Mexico, offering a re-reading of one of the most dynamic periods in the country’s contemporary art history.
MAGALI LARA: MEXICAN FEMINISM IN NEW YORK
The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.
PINTA MIAMI OPENS CALL FOR ITS 2025 EDITION
The art fair invites galleries to submit their proposals for its new edition, taking place from December 4 to 7 at The Hangar, Coconut Grove. The application deadline is July 30.
FIVE DECADES IN SPIRAL BY MAGALI LARA AT THE MUAC
Through the idea of an endless spiral, this exhibition at the Museo Universitario de Arte Contemporáneo (MUAC) unfolds as a reverse retrospective of artist Magali Lara (Mexico City, 1956), beginning with two murals created especially for the show and tracing back to her earliest drawings from the 1980s and 1970s.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
RUBÉN ORTIZ-TORREZ AND THE CULTURAL PARADOXES OF THE GLOBALIZED WORLD
The Miriam and Ira D. Wallach Art Gallery at Columbia University presents Rubén Ortiz-Torres: Zonas de Colaboración, the artist’s first major solo exhibition in New York, curated by Betti-Sue Hertz.
THE GUGGENHEIM ACQUIRED LORIEL BELTRAN´S WORK
The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
